Archive for April, 2011

April 29, 2011

No Answer is an Answer

This one wasn’t on my “Reader’s Choice” list for some reason, but I’ve been sitting on this draft for awhile.  This week, on one of the modeling forums, this topic has been quite a popular one, so I’ve opted to finish up the draft and go with it, to round out this week’s entries.  Enjoy.

So, you’ve sent someone you’re interested in working with a message.  For whatever reason, you’ve monitored whether or not the message has been read, and you see that it has.  Despite this, the model hasn’t replied to you.  Not a peep from her.

First of all, why are you sitting and monitoring whether or not the messages you’ve sent have been read?!  Seems like such a waste of time, and I’ve never understood why people do that.  Send the message, and move on.  Certainly, you have better things to do with your time than wait for “unread” to change “read”, right?  I’d hope so!

Why might a model simply not respond, instead of taking a few seconds to just say “no”?
There are tons of reasons a model might not respond.  Some of the most common ones are…

  1. She forgot.  As silly as it sounds, it happens.  She may have opened your message on her phone, and realized her reply was going to be longer than was worth trying to type on her phone, and intended to answer you on the computer later.  And of course, since once you’ve read the message, it’s no longer “new”, it dropped off her radar.  It happens to all of us, at one point or another.
  2. The message offers her something she clearly states she’s not interested in doing.  Nude, fetish and erotic work would be the most common here.  Many models don’t reply to messages for work they note they are not interested in doing, because they’ve already expressed their lack of interest.
  3. It wasn’t clear in the initial message that the sender actually wants to shoot with her.  A message that states “you have beautiful work” doesn’t mean “I want to work with you”.
  4. The message was SPAMing rates.
  5. The message insulted her portfolio or the people she’s worked with.  I shouldn’t have to say it, but many models get messages that start out with insulting anecdotes about their portfolios or the photographers they’ve worked with, and some of us don’t appreciate it.  Why insult someone you want to work with?  Silliness.
  6. The grammar and spelling in the initial message is so poor, she foresees it being a pain in the ass to communicate with you, and opts to just not bother.
  7. The copy-pasta went wrong and the bottled message was accidentally addressed  to someone other than the model.  If you can’t bother to make sure you’re addressing your message to the right person, well… yea.

And sadly, another common reason (and perhaps the most common one for more experienced models) models don’t respond to offers they’re not interested in accepting?  People who can’t take “no” for an answer, and get pushy or butthurt because of it.

Yup.  Thank your colleagues who, after being told “thank you, but I’m not interested” or “I’m not doing TF* right now, but my rates are…” get passive-aggressive, insulting, and downright mean.  I know many models who have experienced this, and I have myself on numerous occasions.  I’ve been told I’m a shitty model not worth paying, a bitch who didn’t know what she was missing, and other random things I don’t care to look up.  Some gems though, and totally uncalled for when the response given is professional.

There are also the few who, despite being told “thanks but I’m not interested” continue to push the model, asking if changing X, Y or Z would make a difference, or insisting on hearing why they’re not interested.  This kind of behavior is a huge turn off, because if someone is that pushy just to shoot, it makes one wonder what the shoot itself will be like… and more often than not, it causes the recipient to say “not worth it” and move on.

Let’s put it in perspective…
When you get flyers for, say, a landscaper, shoved in your front door, and you’re not interested in hiring that landscaper, do you call them and say “hey, thanks for the lawn mowing offer, but I’ve already got a reliable landscaper, so I’m not interested in hiring you”?  No.  You just recycle the flyer and move on.

When you get an email from B&H letting you know that they have a zoom lens on sale for $3000 from $3100, do you respond to the email letting them know that the measly $100 discount isn’t going to get you to buy the lens, because you know of a place that’s got the same lens at a $400 discount and just offered you free shipping?  No, you just delete the email and move on.

When a model goes to a casting call for a gig, does she sit by her phone waiting for them to call her so they can tell her “thanks for coming by, but you’re a 5’7″ brunette and we casted for a 5’9″ redhead, so, sorry, but you’re not right for this one”?  No.  Them not calling is them saying “your look isn’t what we were looking for, but thanks”.

Is there anything you can do?
If you are super interested in booking the model, you can try the follow up.  Wait a week or so and then send a message that says, “just wanted to update you on my availability” or “I need to book this shoot by [date] so if you’re interested please let me know”.  Don’t be a dick about it, just be polite and professional.  It’s quite possible that she intended to reply and forgot, or that her reply didn’t go through because of a glitch in the messaging system (it happens).

While you’re waiting to hear back, don’t dwell on the message and definitely don’t stop messaging other models.  And if you find someone to book the gig (if you were looking to book a specific one) while waiting to hear back, then it’s a good thing.  Far better, at least, than sitting around waiting for one model to get back to you 😉

The drawback to following up?
The drawback to the follow up is that, sometimes, the fact that the message was read and not replied to means, truly, that they’re not interested.  It might irritate the model a bit to get a follow up.  But that’s a risk you are going to have to take if you decide to go with the follow up message.  Of course, if the model goes superbitch on you for sending a follow up message, then consider it a bullet dodged 😉

Raise your chances of models responding positively.
Look at the portfolios and read the profiles of the models you’re messaging.  Does the work they express interest in shooting (and that’s in their portfolio) jive with what you’re looking to shoot?  Good.  Do they say “not interested in shooting…” and then list what you’d like to shoot?  If so, avoid messaging them.  Also, make sure their last login date is recent (say, within the past 2 weeks to a month) before you click “send message”.  It’s very unlikely you’ll hear back from someone who hasn’t logged into the site in over a year.

When you send your initial message, start off by sending a message that outlines what you’re looking to shoot, when you’d like to shoot, and what the compensation will be.  That’s the important information a model needs to know in order to begin considering your offer.  There’s no need to go on and on about the model’s beauty and all that–we get that you like our look and that’s why you contacted us.  There’s also no need to insult the work that’s in the model’s portfolio, tell her a certain photograph is unflattering, or speak poorly of those she’s worked with in the past.

And lastly, don’t be a jackass if someone doesn’t respond the way you feel you deserve.  This includes being sent rates, being turned down, and not getting a response at all.  Don’t take any of that personally, because it’s not personal, and simply move on to find someone willing to accept what you’re offering.  Be professional, and be patient if you have to.

The bottom line?  
No answer means, “thanks, but I’m not interested”.   Your best bet?  Move on.

April 26, 2011

New/Updated Stuff

I’ve added some new tabs and updated some information on myself, making it easier to get to know me, network with me, and book me.  Some brief info on the new pages and what you can expect to find there.

About Rachel
This page was already there, but was pretty basic and long outdated.  I removed my credits and moved them to a new page.  Instead of listing my credits, I’ve listed a couple interviews I’ve done, my affiliations with some of the modeling websites I’m on, and links to both my Examiner page and my MeetUp group.  You can check it out here: https://racheljay.wordpress.com/about/

Booking & Contact Info
This page is new, and lists my stats, rates, and contact information, and talks about the best way to book me.  It also has links to the industry-related websites I spend the most time on.  All that information is here: https://racheljay.wordpress.com/contact/

Rachel’s Notable Modeling Work
This page is also new, and is where I’ll be updating my list of credits (in order of oldest to newest).  It is currently up to date, and you can view it here: https://racheljay.wordpress.com/work/

April 25, 2011

Clothing Sizes & Women

I’m going to share this article because, while it’s relevant to all women, it’s also relevant to models, because it’s getting harder and harder to list an actual, accurate dress size because of stuff like this (especially if you don’t have access to designer size charts, and/or don’t work with designer garments).  And all you hobbyist models who quite often purchase their own wardrobe for shoots (or deal with photographers saying “I’ll just buy what I need for you, what size are you?”), certainly you share my frustration with shopping and finding the right fit.  Especially when on a tight budget and/or looking to buy in a short time frame.

It seems, though, that some people are getting so sick of vanity sizing, they’re working to figure stuff out, starting by tracking measurements of sized garments across many different stores and brands (and even within brands and designers).  Some malls/stores even have full body scanners (don’t worry, it doesn’t sound like they’re run by the TSA, haha) to help women find the right size (or at least limit the amount of guesswork that needs to be done).

Check it out: One Size Fits Nobody: Seeking a Steady 4 or a 10

And don’t miss this nifty chart, linked on the left side of the article:

April 22, 2011

Pre-Shoot Meetings.

Quite often you hear photographers encouraging other photographers to require a model to attend a pre-shoot meeting in order to tell whether or not she’ll flake, to make sure she looks like her photos, to make sure you’re on the same page with shoot concepts, or to see whether your personalities will “mesh” well enough so that the shoot will be a success.  Or you hear models (or the occasional white-knight photographer) telling others to go to a pre-shoot meeting to ensure the photographer isn’t a creep.  I have even heard pre-shoot meetings likened to casting calls!  There’s a lot wrong with all of that, so let’s start at the beginning…

The “So I Know You Won’t Flake” & The “Do You Look Like Your Pics” Pre-Shoot Meetings
I’m going to lump these into 1, because they’re both fairly short.

First, meeting with someone once before a shoot doesn’t guarantee they won’t flake on the actual shoot.  A flake is a flake, and they often don’t realize they’re doing anything wrong when they flake.  Also, being able to make a pre-shoot meeting doesn’t mean that something legit won’t happen to prevent a model from making a shoot.  Life happens, and sometimes, it interferes with things like photoshoots.

Second, if you aren’t sure exactly what a model looks like, you shouldn’t be afraid to ask to see unretouched “polaroid” type photos.  Most models will not bat an eye at providing these, if they’re not in their online portfolios or linked somehow already.  Those who do have an issue with providing polaroids… you probably don’t want to work with anyway.
Both of these things can be figured out by checking references and/or asking around in the local community.  When you check references, ask if the model showed up on time and was an accurate representation of the images she presents online.  If you have some trusted sources, ask them as well… word of a flake gets around quickly.

The “Yay, We’re On The Same Page” Pre-Shoot Meeting
If a photographer and I are working together on a concept that requires extensive planning, or I am art-directing a shoot, I will meet ahead of time to discuss ideas, if a phone call and/or emails aren’t cutting it.  I have done this a handful of times in the past 5 years, and will continue to do so if necessary.  However, the vast majority of the time emails (with the occasional attached image) and a rare phone call have been sufficient.

When I work with photographers on hosting workshops or events, I have no problems meeting in advance to discuss initial ideas, and I often try to schedule a ‘dry-run’ type thing a couple of days prior to the event if necessary.  I prefer to do this at the location hosting the workshop so that I can see the space I’m going to be working with and (initially) make sure the space is going to suit the group coming in for the workshop/event.  Of course, if I’m hosting at a space I’ve used before, it often becomes easier for both of us to plan via email or phone, with just a dry run a day or two ahead of time.

If a photographer looking to hire me or work TF* and wants to meet in advance, he will have to provide a darn good reason why a set of poloroids (I’ll even hold up the day’s newspaper, after I go buy one LOL) won’t work, and will have to work with my schedule.    I have no problems talking on the phone before a shoot (in fact, I absolutely require a phone number and email address to officially book a shoot).

The “Let’s Make Sure We Get Along” Pre-Shoot Meeting
A shoot is a job, even for hobbyists.  A model is there to pose and help the photographer capture an image in a way that suits his (or her) vision.  A shoot is not a social gathering or date, so there should be no reason to be so concerned with personalities “meshing”.  What matters more, during a shoot, is whether the model can follow direction given by the photographer, thus doing her part to help the final idea come to fruition.  Unless you’re doing a test shoot during your pre-shoot meeting, you won’t be able to tell that until the actual shoot.  Well, you won’t know this if you’re not asking “does the model take direction well” when you check her references, that is.

That’s right, another good reason to check references: asking if the model takes direction well, and whether she does what is asked of her to get the shot.

The “Just Making Sure You’re Not A Creep” Pre-Shoot Meeting
Now, I realize that “creepy” is quite often subjective, and based on individual feelings/thoughts.  That said, for those models who use a pre-shoot meeting to screen photographers their working with (instead of doing things like checking references), well… that’s not the right (or smart) way to go about things.

Make sure someone isn’t a “creep” by checking references with 3-5 other models they’ve worked with.  I wrote a whole blog on checking references here, in case you’re not sure how to go about doing this.  It’s a much smarter way to go about things, and, at the very least, you won’t have wasted both your time and the photographer’s time with a pre-shoot meeting.

Why A Pre-Shoot Meeting Isn’t A Casting Call

An in-person casting call (as opposed to something posted on a site like Model Insider) is a casting call.  They are usually held at a studio and are usually open to whoever is interested in the part (and meets certain requirements).  If, for whatever reason, a photographer is holding a casting at his studio, and I fit the bill, then yes, I’ll go.  I have in the past and I will continue to do so as long as I’m modeling.  There have been times when castings have resulted in, essentially, a waste of my time, but they were casting calls, and that’s part of the business–I go in knowing there’s a possibility I won’t get the job, or that once I get more details it’s something I’m not a good fit for, and I’ve accepted that.

If you want to hold a casting, hold a casting.  But don’t just sit your ass down in your local Starbucks and wait for one model to show up, and call it a casting.  That’s not only misleading to the model, but very likely a huge waste of your time too.  And who wants that?

The Bottom Line
Monday thru Friday, I work full-time in the Chicago suburbs, have a husband that works 16+ hours a day, and have a dog that needs to be taken care of (which usually falls on me because of my husband’s schedule), not to mention the typical household responsibilities.  On weekends I’m either shooting (or doing other modeling-related stuff, like organizing for a workshop), spending time with friends or family, or doing household things that didn’t get done during the week.  I will not drive over an hour (or more, with construction) into the city of Chicago or to a far away ‘burb for a 30-minute (or less) “great, we both like this idea” or “cool, you look like your pictures” meeting.  I check references, so I don’t have to worry about “are you a creep” meetings.

Many hobbyist models are in the same boat I am–working full-time, running a household and being responsible for a family, and shooting when they have time–so if you require a pre-shoot meeting, it might be a turnoff for them.  After all, there are plenty of other things they’d likely rather do than meet you for coffee to discuss things that either aren’t relevant to your shoot, work out details that could be done over email or a phone call, or prove to you something you could have found out by simply checking their references.  In short, they’re not going to want to waste their precious time on you, and will very likely just find someone else to work with.

April 21, 2011

Why Public Blacklists Are Bad

Public blacklists–lists of people an individual doesn’t recommend working with–can be found on many profiles on Internet modeling sites.  They are often fueled by anger and judgement, and are usually created and added to during the heat of the moment, while one is angry due to the actions of the very person they’re blacklisting.  The list-maker usually just wants to “get back” at the person whom they feel wronged them, and quite often, the list maker doesn’t pause to think of the consequences to themselves that these lists often have.

Consequences for the person with the list, instead of the people on the list?  You bet!

As someone who takes what she does seriously, I don’t like the idea of working with someone who’s got a flake list a mile long (or even just a handful of names) on their profile page.  In fact, it makes me wonder what in the world that person has done to cause so many people to no show up, or otherwise not deliver as promised.  But instead of asking what the deal is, I’ll just move on and find someone else to work with, because it’s far less of a headache.

Additionally, a profile that’s got a “do not recommend” list on it makes me wonder if the only purpose of the list itself is to get vengeance on someone, and not actually help out the person who might be looking to work with the person on the list.  With a blacklist telling only one side of the story, it’s quite possible that (for example) the model ended up there because she refused to let herself be pressured into shooting something she wasn’t comfortable with, and the photographer put here there to get back at her for not giving him what he wants.  Or maybe the model’s there because she refused to TF* with the photographer, but paid his biggest competitor for a shoot.  Maybe she bugged him for 6 months asking for images from a TF* shoot, and he got sick of it and blacklisted her.  It’s impossible to know.

A blacklist also means that I have to be concerned about ending up on a blacklist.  Not because I’m a flake, but because if something out of my control were to happen to spoil the shoot, would it earn me a spot on that list, or would I not have to worry?  That doesn’t appeal to me in the least.  I’d rather just not book with that person, because then I don’t have to worry about finding out.  Given the choice, I’d rather work with someone I trust to deliver and not hold a grudge than someone who’s got a list on his or her profile.

And that brings me to another point.  Experiences vary by person, and sometimes, personalities just don’t match up, making working together a challenge.  What one person might view as ok behavior, another might think is a diva attitude.  A joke a photographer tells on set might make one model laugh, and could offend another.  You get the idea.  Because of this, it’s hard to take blacklists seriously.  How do you know the reason the photographer or model is on that person’s blacklist is more than just a simple personality difference, which resulted in a strained or awkward shoot?  You don’t.

That said, how do you even know the 2 parties worked together?  A friend of mine was put on a blacklist by someone because they had a disagreement on one of the modeling site forums.  They’d never worked together, never talked about working together, and weren’t even in the same state.  But because there was an argument on the forums, my friend was blacklisted.  (It was asked by site moderators, later, that the person with the list limit it only to people they’d actually booked work with, and to remove people they’d simply disagreed with in the forums.   But yea…)

What if you get the other side of the story?

I suppose one could message everyone on someone’s blacklist, but who has time for that?  I don’t.  I’d much rather just work with someone who keeps their drama to themselves.  If they have drama, that is 😉

In a nutshell? Having a blacklist on your profile makes you look like a grudge-holding drama queen.  And that’s a bad thing.

Keep your blacklist private, and share specific experiences if asked.  Much more professional.

April 18, 2011

Shoot Results: Tembis Boutique

One of the first shoots I did when I got back from my break was with BLOPHOTO and Tayo of Tembis Boutique, for the Tembis Boutique spring 2011 line.  I shot three very different looks–a romper, a longer formal dress, and a short leopard-print dress.  After what seemed like a forever wait, I got some pics back! 🙂  Here are the 3 looks I did.

The cute romper, on the left, was actually shot two different ways.  It came with a sequin panel in it, which Tayo (the stylist for Tembis Boutique) cut out and planned to make optional.  We shot that with my fab Christian Siriano shoes and a beautiful ring made from a cut seashell.  This is the shot from that first look, which, as you can see, is a completely different look!

All in all, it was a really fun shoot!  The team was great, and much thanks goes out to them!

Check everyone out!
You can visit Tembis Boutique online at www.tembisboutique.com, and check out some of their great upcoming events and trunk shows.  Tembis Boutique remixes vintage clothing, giving it a new, modern twist.  Definitely worth checking out!

The rest of the team was BLOPHOTO (www.blophoto.com) and Kim of Bourgeois Faces (www.bourgeoisfaces.com).

April 7, 2011

Reader’s Choice!

So as usual, I’ve got a stockpile of drafts I’ve started, and can’t decide what to finish next.  So here are a few topics I’ve got a little bit on already, with a brief description of what each topic is about.  Take a gander…

  • Blogging: Getting Started
    In this entry, I talk about how to get started blogging, give tips for writing, and talk about some good and bad reasons to start a blog.
  • Hiring An Experienced Model: Why It’s Worth It
    This one’s pretty self-explanatory, but I talk about why, sometimes, hiring an experienced model is a better idea than going with a newb.  I won’t be discussing agency models here.
  • Point Your Toes When You Pose
    Another one that doesn’t need much introduction, but simply talks about (and shows, with photos) why it’s important for a model to be body-aware and make sure she’s pointing her toes when working the camera.
  • Posing vs. Being Posed
    Here I talk about my thoughts on a model posing on her own, versus being micromanaged by the photographer.  Is there a ‘happy place’ somewhere in the middle?  Perhaps 😉
  • Pre-Shoot Meetings
    This is something people seem to either be for, or against, and often comes up in the discussion regarding whether one is a professional or not.  In this entry, you’ll get my take on the pre-shoot meeting, when I feel it’s appropriate, when it’s a waste of time, and why it shouldn’t replace checking references.
  • Stealing vs. Inspiration
    This entry is loosely inspired by the recent Robert Granito artwork thefts (Google it).  I’ll talk about the differences (in my opinion) between outright stealing a shot (really, copying it) and using elements of a shot for inspiration.
  • Tips for Underwater Modeling
    Pretty self-explanatory, but I’ll give some tips for modeling for an underwater shoot.  I’ve only done two, but learned a lot on both shoots.  Mostly, I’ll post things I hadn’t thought of before shooting underwater, as well as some safety tips.
  • Why Public Blacklists Are Bad
    In this blog, I’ll talk about why public blacklists raise red flags about the person with the list, instead of the person on the list.

So now that you’ve seen what I’ve been up to “behind the scenes”, if you could, take a minute to vote on your favorite in the poll below.  I’d much appreciate hearing what you’d like to read about next!

April 6, 2011

Getting Into VOGUE: FashionIndie Figured It Out!

Blogger Lester, for FashionIndie, wrote about the 10 poses that’ll get you into VOGUE magazine.  He included examples of each pose, from the magazine itself as well as his own take on the pose.  Definitely worth a read, as it’s pretty darn funny 🙂  I think this is my favorite set of pics from the two-part blog:

Anyway, here are the links so you can check it out for yourself:

  1. 10 Poses To Get You Into Vogue, Part 1
  2. 10 Poses To Get You Into Vogue, Part 2

Perhaps I’ll do a self-portrait montage over the weekend… after all, practice makes perfect, right? 😉

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