When I started modeling, I worked with everyone who contacted me, and shot everything I was comfortable with. I even shot some stuff I wasn’t 100% comfortable with. I figured that any time in front of the camera was good–I would learn more–and that I would have a diverse, up-to-date portfolio. When I shot things I wasn’t 100% comfortable with, I figured I needed to learn how to be comfortable so I could open myself up to other (often paid) markets. I went to TF* group shoot events and shot with anyone who’d work with me. I justified it by telling myself it was good networking, another chance to learn, and a good opportunity to update my portfolio in just a few hours.
How Many Edits & Who Picks?
Paying a Model: When Does the Clock Start?
Beating the Blues
Modeling can lead to emotional burnout pretty quick. There’s only so much someone can take before they want to just hang it up and move on. I imagine this comes from the rejection a model faces regularly, as well as the fact that modeling is very much about one’s looks (including their skin, face, hair, and body), and that models are often criticized. So sometimes, models get emotionally burned out, and need a little encouragement, even if it comes from within. Here are some ways I’ve found work for me when it comes to beating the modeling blues. Feel free to add your own in the comments!
No Answer is an Answer
So, you’ve sent someone you’re interested in working with a message. For whatever reason, you’ve monitored whether or not the message has been read, and you see that it has. Despite this, the model hasn’t replied to you. Not a peep from her.
First of all, why are you sitting and monitoring whether or not the messages you’ve sent have been read?! Seems like such a waste of time, and I’ve never understood why people do that. Send the message, and move on. Certainly, you have better things to do with your time than wait for “unread” to change “read”, right? I’d hope so!
Why might a model simply not respond, instead of taking a few seconds to just say “no”?
There are tons of reasons a model might not respond. Some of the most common ones are…
Pre-Shoot Meetings.
Quite often you hear photographers encouraging other photographers to require a model to attend a pre-shoot meeting in order to tell whether or not she’ll flake, to make sure she looks like her photos, to make sure you’re on the same page with shoot concepts, or to see whether your personalities will “mesh” well enough so that the shoot will be a success. Or you hear models (or the occasional white-knight photographer) telling others to go to a pre-shoot meeting to ensure the photographer isn’t a creep. I have even heard pre-shoot meetings likened to casting calls! There’s a lot wrong with all of that, so let’s start at the beginning…
Why Public Blacklists Are Bad
Public blacklists–lists of people an individual doesn’t recommend working with–can be found on many profiles on Internet modeling sites. They are often fueled by anger and judgement, and are usually created and added to during the heat of the moment, while one is angry due to the actions of the very person they’re blacklisting. The list-maker usually just wants to “get back” at the person whom they feel wronged them, and quite often, the list maker doesn’t pause to think of the consequences to themselves that these lists often have.
My Pre-Shoot Prep & Pep Routine
After so many years modeling (gosh, it feels weird saying it that way, but it’s true), I’ve gotten into, what I feel is, a great pre-shoot routine. I’ve decided to take some time to share it with you, because a lot of new models have been asking about it. I opted to start a few weeks out, instead of just the night before, because I do a lot of work for every shoot I do, and it’s generally much appreciated.
Checking References
Often times, one of the first things a model is told when she asks “how do I know this guy is legit” or “how do I stay safe” is that she should check references. While not foolproof or a 100% guarantee that the photographer won’t be a sleezebag and will get you images back, it’s a good starting point. I check references on all photographers I’m working with for the first time. Male or female. Paid or trade. Here’s how I go about doing it.