Posts tagged ‘networking’

May 7, 2012

Model Networking Sites, Safety, & More

Roger Talley, the guy who wrote www.newmodels.com and The Professional’s Guide to Modeling has written some articles concerning model networking sites (like OMP, Model Mayhem, Model Insider, etc.) that are very worth the read.  Roger owned a modeling agency once upon a time, and really understands how the modeling world works–both agency-wise and Internet-wise–and these articles touch on Internet-related stuff that isn’t addressed at www.newmodels.com.  And while, at first glance, these articles may seem like fear-mongering, knowing Roger personally, I can tell you that’s not the purpose of these articles.  Roger is big in educating models and giving them the tools to keep themselves safe, and fear-mongering ends up having the opposite effect.  These four articles were, no doubt, written to make models aware of certain things that model networking sites aren’t doing in the interest of their safety, and to explain to them why continuing to do their own due diligence prior to shoots is still very important.

Model Networking Sites and Common Sense
In the first article of the series, Roger leads with saying that, largely, “transactions” on model networking sites like Model Mayhem, OMP, and Model Insider (along with the vast majority of others) go off without a hitch.  However, he does take the time to highlight some of the “extreme cases on all networking sites that go horribly wrong”, listing a few cases where members have gotten others involved in prostitution, or have resorted to drugging and raping, or (worse), murder.  Very rare events, but it happens, and Roger talks about how sometimes, these few-and-far-between extremely bad cases can be blown out of proportion and result in near-paranoid handling of things.  And, of course, he touches on the flip side of that… that some people think everyone who signs up for those kind of sites is legit and safe.

Read Model Networking Sites and Common Sense here.

Model Networking Sites and Warnings to Models
The second in the series, this article talks about what the modeling sites are doing to warn members that other members may in fact be criminals, scammers, registered sex offenders, or whatever.  In short, the answer is “not much, if anything at all”, but it’s much, much more complicated than that.  Roger talks about the rules on some sites regarding telling members of others’ one has dealt with, as well as what some sites encourage others to do when registering.  It’s a good read, and an important one, that begins to shed light on what you’re either getting yourself into, or have gotten yourself into, once you’ve signed up for model networking sites.

Read Model Netowrking Sites and Warnings to Models here.

The Will to Believe and Model Networking Sites
In this article, Roger talks about “the will to believe” and how it relates to model networking sites.  What I am talking about (and thus what Roger is talking about) is that quite often, models think “oh, well this must be what it’s supposed to be like” and carry on with things that they might not be comfortable with, or might not feel right about.  And in some cases, this can get them in trouble ranging from getting scammed to getting hurt, sometimes even multiple times because “this is part of the job”.  Roger touches on how easy it is to lay blame on the victims of these scenarios, but that’s not always fair.  In the vast majority of these cases, the model networking sites and how they handle members (especially after being informed that a member is in fact a danger to others on the site) comes into play.

For more on this, read The Will to Believe and Model Networking Sites.

Prudent Use of Model Networking Sites
In the final article of the series, Roger outlines some of the problems that have arisen because model networking sites don’t educate their members, encourage members to sign up with fake names, and don’t police their members at all.  Roger talks about how, keeping things in perspective, it is possible to have positive experiences on model networking sites.  He talks about how members can often use the forums on the networking sites to research and discuss scammers and bad experiences (but user-beware, as the forums are also often full of misinformation and trolls).  Roger also points out resources like www.newmodels.com and the article database at Model Insider, often recommended by forum regulars, who are often fonts of information (and worth conversing with) themselves.

Read Prudent Use of Model Networking Sites here.

August 11, 2011

On Integrity & Professionalism

Recently, I was slapped in the face with one person’s unprofessional behavior and dishonesty.  What’s more is that after expressing my disappointment in the situation, the offending party showed little remorse.  However, another person involved has shown what true professionalism & integrity are, which lessens the sting… sorta.  Here’s the story…

It started with a verbal agreement regarding compensation for working an event.  A few weeks before the event I was told (in person) that compensation would be $50 for the day, a selection of images for portfolio use.  I was also told I’d be in the designer’s catalog.  As an added bonus, I’d get a sketch of me in what I was modeling.  Typically, my rates are $50 an hour or $325 for an 8-hour day, which is how I’d have billed it since it’s cheaper.  However, because I’d be getting portfolio images & a tear sheet (plus a cool sketch), I made an exception and accepted the job at a significantly lower rate than normal.

Fast forward to the day of the event.  Call time was 12P & everyone was on time & ready to start getting to work.  In the beginning, things were running nicely, people were having a good time, & it was shaping up to be a great event.

Around 3P we started getting hungry, but there was no food.  Based on previous experiences, I expected there to be food provided at a 7-hour event, so I just brought a drink & a small snack.  Now, I wasn’t expecting caviar & chocolate mousse, but something to snack on throughout the course of the day.  Veggies, pretzels, cheese cubes, & sliced fruit are pretty typical of events because that stuff can sit out & is easy to eat.  But there wasn’t anything.

Normally, one would ask the person in charge what was going on, but he stepped out for an undetermined amount of time, leaving his event coordinator & assistant completely in the dark regarding wardrobe & accessories.  That meant that the models that were ready to shoot we weren’t able to, so 2 of those girls took a walk to find food.  Their options were limited at 3P on a Sunday on the Near West Side of Chicago & all they could find was Chinese, which they brought back.

As we were eating, the guy in charge came in & immediately reprimanded us for having food.  He told us we were unprofessional for eating food that wasn’t “proper model food”.  He then demanded it be put it away & said we shouldn’t be eating, but that if we were hungry we should’ve been eating something like fruit.  So, apparently, everyone should have just gone without food for 7 hours.  Talk about a morale-killer!  Besides, nothing makes people enjoy an event more than crabby models with no energy, or worse, models passing out because of low blood sugar.

If someone running an event wants his staff to eat certain things, it is up to him to provide that kind of food.  If he can’t provide food, then the professional thing to do is notify people that there won’t be food, & ask them to bring their own, limiting it to whatever he finds acceptable.   It is not unprofessional for models to eat behind the scenes, while waiting for styling and/or instruction, while still dressed in street clothes.

But then came the real knife-twist.  Shortly after the food was put away, we were handed a compensation agreement & asked to sign it.  It was different from what I’d been promised.  Suddenly, we had to choose between $50 for the day or 10 unedited images & 1 edit of the photographer’s choice.  No mention of the sketch.  I tried to ask the guy in charge a few questions, but it was pretty clear he was too busy to listen to me.  So, I sat & thought quite a bit about things, & really weighed my options.

If I walked, I’d have wasted almost 4 hours for nothing, literally.  No photos, no money, no sketch, no tear.  Leaving could’ve damaged my reputation with the other industry people who were there, & I’m not one to back out on my commitments; I act like a professional & respect people enough to stick with something once it’s started.  So I chose to stay, keeping my reputation intact & getting a little something for my time.

So I had to choose: a small amount of money, or one edited image.  I figured I could work with the photographer individually if I really wanted to, so I opted to take the $50.  Broken down, it’s $7.14 an hour.  If you factor in the $8 or so I spent on food & drink (which I wouldn’t have bought if I wasn’t working), the total compensation drops down to about $42.  Basically, I worked the day for about $6 an hour, & that’s not even factoring in the gas I spent on the nearly 60-mile round trip.

It bothered me that the compensation changed, & I wasn’t notified in advance.  I wasn’t even notified promptly at call time, which is when I would have been comfortable leaving.  Advanced notification of the change would have been the professional way to go about things.  Instead, it was just sprung on us nearly 4 hours into the day, when we’d already invested time & money.  But, I sucked it up & did my job as if I was getting paid my standard rate: with a smile on my face & without complaint.

After the event was over I asked the guy in charge about the sketch.  He acknowledged that that was, indeed, part of our deal & made a half-assed attempt to find it.  After a brief search, I was told he couldn’t find them, & that was that.  So no sketch now either.

Initially, I intended to just deal and learn from my mistakes.  But later I decided that if I didn’t speak up, no one would, & this schmuck would go on taking advantage of people because no one called him on it.  So the next day I wrote him a letter addressing all my concerns & asked to be compensated as originally promised.  I chose my words carefully & made sure it was written in a concise, professional manner.  I didn’t just pound out an angry note and send it off.

The next afternoon, I received a response.  He said that an agreement was made, but things didn’t go as expected, so the agreement was modified.  I signed it, & if I hadn’t, I wouldn’t have been used for the event.  He went on to say he was sorry I wasn’t happy, but the only thing he could do was live up to the written agreement.  Then, he had the gall to tell me that a lot of work went into the event, & he felt congratulations were in order.  He also thanked me, as if that would make it better, & told me that if I had a change of heart & wanted to work with him again, I should let him know.

Then, he called me not too long after responding.  I told him it wasn’t a good time because I wasn’t ready to speak with him, & hung up.  After careful consideration, I wrote him back & said that any discussion could be done in writing, as he had made it abundantly clear that he didn’t respect people enough to honor his spoken agreements.

He wrote me back the next day & said there’s nothing to discuss.  Shortly afterwards he posted on the private group for “preferred” folks involved in the event (which I am still part of) telling everyone, “Don’t ever believe that I don’t appreciate you all.  I am so glad that I choose each & every one of you to be a part of this journey.”  Uh huh.

There is a lesson here, though.  From now on, I will ask for a compensation agreement in writing, in advance, for every event I am booked for.   Upon arrival, I will not do anything without reviewing any paperwork that needs to be signed, & if that paperwork does not match up with what I received prior to the event, I will be leaving.

This might limit who’s willing to book me for events, as well as whom I choose to work with, but I’m ok with that.  I am tired of being taken advantage of, & I am no longer willing to allow it to happen.  If that means I book less events, then so be it.  As a hobbyist, I can afford to be picky.

I heard he “changed the agreement” when it came to numerous other involved parties, so the models weren’t the only ones who got screwed.  To top it off, it’s all just pouring salt in the wound, because everyone who worked the event was asked to promote the event through various means, invite friends, & really hype it up (and many of us did).  Some people’s names are attached to this person’s, and who knows what kind of effect that could have down the road.

Then there’s the true display of integrity & professionalism I mentioned at the beginning.  The photographer involved called me last night & we talked.  He had been unaware, & completely beside himself, that the person running things was using his product to pay people & that we were forced to make a choice so suddenly.  To “make it right”, he has offered all of the models involved a shoot at no charge.  He’s not comfortable providing the images from the event to the models, because it would violate his agreement with the event host, so he’s doing what he can to do something for us as a “thanks, & I’m really sorry you got screwed over too”. Yup, you read that right… he also got screwed.

So now what?  Well, I’m going to stay in touch with the photographer & start thinking about what I want to shoot, & communicate ideas back & forth with him.  Ideally, I’d like to shoot something he can use for his portfolio as well, because it’s only fair.  Chances are, I’ll wait until late fall to work with him, mostly because I’m sure he’ll be busy with previously booked work as well as with the other models involved.

A few people I’ve talked to about this have suggested I take legal action, because the “bait & switch” tactic he pulled could be illegal.  I’ve decided it’s not worth it to bother with screwing around with that, especially for such a small amount of non-monetary goods.  Chances are, this person will get what’s coming to him.  Word of unprofessionalism like this gets around fast in the modeling industry, as people don’t appreciate busting their asses to work with people who lack the integrity to honor their promises.

One can only hope that this person has the decency to not treat his paying clients the way he treated his staff.  I can’t imagine working with someone on what amounts to one of the most important days in your life & dealing with some of the unprofessionalism he exhibited.  Hopefully, when dealing with actual clients, this person is honest, sticks to his word, & is professional enough lets clients know if circumstances change & he cannot deliver as promised.  If I were in the situation to be working with him as a paying client, I most certainly wouldn’t take the chance.

I will definitely not be working with him ever again.  This person’s utter disrespect for the people he hired & abundant display of unprofessionalism has completely, totally ruined any chances of that.  I will continue to leave his name on my credits list in hopes that people contact me to check references.

UPDATE! August 30, 2011

I did finally get a money order for the $50 that I was owed.  I had to ask for it though, and was told on August 25th that the check had mailed the morning of the 24th.  I let this person know that it would have been nice to know of the delay, since the agreement said checks would be delivered by the 21st and not mailed on the 24th.  This is the response I got regarding that:

i didn’t mean to make you feel small. I appreciate you.

I told him, “Appreciation doesn’t pay the bills. Not that that matters, because going back on your word and not notifying people you’d made agreements with until well into the event doesn’t say “appreciation”. No, Robert. THAT says “I don’t give a crap about you and expect you to just be a doormat and accept it”. Nice try. I expect my check to be delivered by Monday the 29th. I’m giving you way more leeway on this than most people would…”.  Yes, cold and a bit heavy-handed, but frankly, I don’t care.  No one deserves the kind of treatment he has shown, and I’m not about to sit quietly and let him think that treating people the way he has done is ok, because it’s overwhelmingly not.

This was his response to me on the 25th, verbatim:

When i say I didn’t mean to make you feel small, I really was trying to let you know that you’re acting soooo small and UNPROFESSIONAL.

But you were even too small to even have caught on.

Now I’m BLOCKING you. And that’s what’s nice about facebook.

What ever it is that happened to you to make you so emotional is just not everybody else’s fault. And if emotionally you can’t handle life, go to doctor and get help, but whatever you do, DO NOT SLANDER OR HARRASS ME.

STOP EMBARRASSING YOURSELF. YOU SHOULD NEVER MAKE YOURSELF THE BUD OF OTHER PEOPLE JOKES. YOU ARE COMING OFF LIKE A CRAZY WOMAN.

LOVE ROBERT

Wow.  And yet I’m the unprofessional one, for desiring to be treated respectfully and compensated as promised, and for being the “squeaky wheel” in making sure that promises are delivered upon when the source has proved to be unreliable.  Right… anyway…

My money order came August 29th.  It was dated August 26th, two days after I was told “the check’s in the mail”.  It has been deposited.  Largely, I am happy.  I hope, however, that this person has learned that he can’t get away with treating people like shit.  If, that is, there’s anyone left in the area who’ll work with him…

July 20, 2011

Upcoming Event: A Sneak Preview of “The White Collection – LUXE”

I have the honor of modeling for bridal designer Atha Sharod in the Atha & Friends Present A Sneak Preview of “The White Collection – LUXE” event coming up on Sunday, August 7.  

Brides who attend the event will get a sneak preview of Atha Sharod’s The White Collection – LUXE, which features beautiful couture bridal gowns and honeymoon negligees.  Atha Sharod’s stunning pieces are made from 100% silk and French imported laces, and are custom made for each bride to ensure a perfect fit.  In addition to getting a chance to see Atha Sharod’s beautiful White Collection – LUXE, event guests will have a chance to sample wedding cake, enjoy music, food, champagne, gift bags and most importantly, the beautiful wedding gowns.  They will also get to experience a live photo shoot by Wedding and Engagement Photographer, Tuan H. Bui.  The photos from the shoot will be used for the catalog and website that the company will use to promote the collection.  Robert Sharod, the designer, says “I created this collection as a tribute to the American woman. I wanted her to know that she could be independent and yet be feminine at the same time” when describing his collection.  Brides, this event is one that’s not to be missed!

This incredible, one-of-a-kind bridal event will take place Sunday, August 7 from 4P to 7P, and will be held at the Loft on Lake, located at 1366 West Lake, Chicago, IL.  Tickets are less than $25 and can be bought in advance here: athasharodbridal.eventbrite.com  You can RSVP for the event on Facebook too… but be sure to buy your tickets in advance!

Check out this list of incredible preferred vendors for the event!

  • Wedding Planner: Charity & Gabriela with A La Moda Events
  • Photographer: Tuan H Bui
  • Videographer: Al with Elite Video Productions
  • Fashion Illustrator: Rosemary Fanti
  • Bouquet Preservationist: Loreen Hospodar
  • Make Up Artist: Tracy Ballog
  • Bridal Stylist: Susan from the Left Bank
  • Menu Tastings: Norman’s Bistro & Cedar’s Mediterranean
  • Wedding Cake & Bakery: Richard with Rueter’s Bakery
  • Dessert Tray Stylist: Lizabeth with Fancy Candies & Sweet Buffets
  • Vocalist: Karen Dade
  • Live Trio: The Bons Vivants

Brides, if you’re looking to make your wedding a classy, beautiful event, the Atha & Friends Present A Sneak Preview of “The White Collection – LUXE” event is THE place to go to find everything you’ll need to make your special day memorable.

Check out Atha Sharod online:
The official Atha Sharod website: www.athasharodbridal.com
Become a fan on Facebook: www.facebook.com/pages/Atha-Sharod-Bridal/166098103434102
Be friends on Facebook: www.facebook.com/athasharodbridal
Follow Atha Sharod on Twitter: www.twitter.com/AthaBridal
Robert’s Blog: athasharodbridal1.blogspot.com

April 29, 2011

No Answer is an Answer

This one wasn’t on my “Reader’s Choice” list for some reason, but I’ve been sitting on this draft for awhile.  This week, on one of the modeling forums, this topic has been quite a popular one, so I’ve opted to finish up the draft and go with it, to round out this week’s entries.  Enjoy.

So, you’ve sent someone you’re interested in working with a message.  For whatever reason, you’ve monitored whether or not the message has been read, and you see that it has.  Despite this, the model hasn’t replied to you.  Not a peep from her.

First of all, why are you sitting and monitoring whether or not the messages you’ve sent have been read?!  Seems like such a waste of time, and I’ve never understood why people do that.  Send the message, and move on.  Certainly, you have better things to do with your time than wait for “unread” to change “read”, right?  I’d hope so!

Why might a model simply not respond, instead of taking a few seconds to just say “no”?
There are tons of reasons a model might not respond.  Some of the most common ones are…

  1. She forgot.  As silly as it sounds, it happens.  She may have opened your message on her phone, and realized her reply was going to be longer than was worth trying to type on her phone, and intended to answer you on the computer later.  And of course, since once you’ve read the message, it’s no longer “new”, it dropped off her radar.  It happens to all of us, at one point or another.
  2. The message offers her something she clearly states she’s not interested in doing.  Nude, fetish and erotic work would be the most common here.  Many models don’t reply to messages for work they note they are not interested in doing, because they’ve already expressed their lack of interest.
  3. It wasn’t clear in the initial message that the sender actually wants to shoot with her.  A message that states “you have beautiful work” doesn’t mean “I want to work with you”.
  4. The message was SPAMing rates.
  5. The message insulted her portfolio or the people she’s worked with.  I shouldn’t have to say it, but many models get messages that start out with insulting anecdotes about their portfolios or the photographers they’ve worked with, and some of us don’t appreciate it.  Why insult someone you want to work with?  Silliness.
  6. The grammar and spelling in the initial message is so poor, she foresees it being a pain in the ass to communicate with you, and opts to just not bother.
  7. The copy-pasta went wrong and the bottled message was accidentally addressed  to someone other than the model.  If you can’t bother to make sure you’re addressing your message to the right person, well… yea.

And sadly, another common reason (and perhaps the most common one for more experienced models) models don’t respond to offers they’re not interested in accepting?  People who can’t take “no” for an answer, and get pushy or butthurt because of it.

Yup.  Thank your colleagues who, after being told “thank you, but I’m not interested” or “I’m not doing TF* right now, but my rates are…” get passive-aggressive, insulting, and downright mean.  I know many models who have experienced this, and I have myself on numerous occasions.  I’ve been told I’m a shitty model not worth paying, a bitch who didn’t know what she was missing, and other random things I don’t care to look up.  Some gems though, and totally uncalled for when the response given is professional.

There are also the few who, despite being told “thanks but I’m not interested” continue to push the model, asking if changing X, Y or Z would make a difference, or insisting on hearing why they’re not interested.  This kind of behavior is a huge turn off, because if someone is that pushy just to shoot, it makes one wonder what the shoot itself will be like… and more often than not, it causes the recipient to say “not worth it” and move on.

Let’s put it in perspective…
When you get flyers for, say, a landscaper, shoved in your front door, and you’re not interested in hiring that landscaper, do you call them and say “hey, thanks for the lawn mowing offer, but I’ve already got a reliable landscaper, so I’m not interested in hiring you”?  No.  You just recycle the flyer and move on.

When you get an email from B&H letting you know that they have a zoom lens on sale for $3000 from $3100, do you respond to the email letting them know that the measly $100 discount isn’t going to get you to buy the lens, because you know of a place that’s got the same lens at a $400 discount and just offered you free shipping?  No, you just delete the email and move on.

When a model goes to a casting call for a gig, does she sit by her phone waiting for them to call her so they can tell her “thanks for coming by, but you’re a 5’7″ brunette and we casted for a 5’9″ redhead, so, sorry, but you’re not right for this one”?  No.  Them not calling is them saying “your look isn’t what we were looking for, but thanks”.

Is there anything you can do?
If you are super interested in booking the model, you can try the follow up.  Wait a week or so and then send a message that says, “just wanted to update you on my availability” or “I need to book this shoot by [date] so if you’re interested please let me know”.  Don’t be a dick about it, just be polite and professional.  It’s quite possible that she intended to reply and forgot, or that her reply didn’t go through because of a glitch in the messaging system (it happens).

While you’re waiting to hear back, don’t dwell on the message and definitely don’t stop messaging other models.  And if you find someone to book the gig (if you were looking to book a specific one) while waiting to hear back, then it’s a good thing.  Far better, at least, than sitting around waiting for one model to get back to you 😉

The drawback to following up?
The drawback to the follow up is that, sometimes, the fact that the message was read and not replied to means, truly, that they’re not interested.  It might irritate the model a bit to get a follow up.  But that’s a risk you are going to have to take if you decide to go with the follow up message.  Of course, if the model goes superbitch on you for sending a follow up message, then consider it a bullet dodged 😉

Raise your chances of models responding positively.
Look at the portfolios and read the profiles of the models you’re messaging.  Does the work they express interest in shooting (and that’s in their portfolio) jive with what you’re looking to shoot?  Good.  Do they say “not interested in shooting…” and then list what you’d like to shoot?  If so, avoid messaging them.  Also, make sure their last login date is recent (say, within the past 2 weeks to a month) before you click “send message”.  It’s very unlikely you’ll hear back from someone who hasn’t logged into the site in over a year.

When you send your initial message, start off by sending a message that outlines what you’re looking to shoot, when you’d like to shoot, and what the compensation will be.  That’s the important information a model needs to know in order to begin considering your offer.  There’s no need to go on and on about the model’s beauty and all that–we get that you like our look and that’s why you contacted us.  There’s also no need to insult the work that’s in the model’s portfolio, tell her a certain photograph is unflattering, or speak poorly of those she’s worked with in the past.

And lastly, don’t be a jackass if someone doesn’t respond the way you feel you deserve.  This includes being sent rates, being turned down, and not getting a response at all.  Don’t take any of that personally, because it’s not personal, and simply move on to find someone willing to accept what you’re offering.  Be professional, and be patient if you have to.

The bottom line?  
No answer means, “thanks, but I’m not interested”.   Your best bet?  Move on.

April 26, 2011

New/Updated Stuff

I’ve added some new tabs and updated some information on myself, making it easier to get to know me, network with me, and book me.  Some brief info on the new pages and what you can expect to find there.

About Rachel
This page was already there, but was pretty basic and long outdated.  I removed my credits and moved them to a new page.  Instead of listing my credits, I’ve listed a couple interviews I’ve done, my affiliations with some of the modeling websites I’m on, and links to both my Examiner page and my MeetUp group.  You can check it out here: https://racheljay.wordpress.com/about/

Booking & Contact Info
This page is new, and lists my stats, rates, and contact information, and talks about the best way to book me.  It also has links to the industry-related websites I spend the most time on.  All that information is here: https://racheljay.wordpress.com/contact/

Rachel’s Notable Modeling Work
This page is also new, and is where I’ll be updating my list of credits (in order of oldest to newest).  It is currently up to date, and you can view it here: https://racheljay.wordpress.com/work/

April 22, 2011

Pre-Shoot Meetings.

Quite often you hear photographers encouraging other photographers to require a model to attend a pre-shoot meeting in order to tell whether or not she’ll flake, to make sure she looks like her photos, to make sure you’re on the same page with shoot concepts, or to see whether your personalities will “mesh” well enough so that the shoot will be a success.  Or you hear models (or the occasional white-knight photographer) telling others to go to a pre-shoot meeting to ensure the photographer isn’t a creep.  I have even heard pre-shoot meetings likened to casting calls!  There’s a lot wrong with all of that, so let’s start at the beginning…

The “So I Know You Won’t Flake” & The “Do You Look Like Your Pics” Pre-Shoot Meetings
I’m going to lump these into 1, because they’re both fairly short.

First, meeting with someone once before a shoot doesn’t guarantee they won’t flake on the actual shoot.  A flake is a flake, and they often don’t realize they’re doing anything wrong when they flake.  Also, being able to make a pre-shoot meeting doesn’t mean that something legit won’t happen to prevent a model from making a shoot.  Life happens, and sometimes, it interferes with things like photoshoots.

Second, if you aren’t sure exactly what a model looks like, you shouldn’t be afraid to ask to see unretouched “polaroid” type photos.  Most models will not bat an eye at providing these, if they’re not in their online portfolios or linked somehow already.  Those who do have an issue with providing polaroids… you probably don’t want to work with anyway.
Both of these things can be figured out by checking references and/or asking around in the local community.  When you check references, ask if the model showed up on time and was an accurate representation of the images she presents online.  If you have some trusted sources, ask them as well… word of a flake gets around quickly.

The “Yay, We’re On The Same Page” Pre-Shoot Meeting
If a photographer and I are working together on a concept that requires extensive planning, or I am art-directing a shoot, I will meet ahead of time to discuss ideas, if a phone call and/or emails aren’t cutting it.  I have done this a handful of times in the past 5 years, and will continue to do so if necessary.  However, the vast majority of the time emails (with the occasional attached image) and a rare phone call have been sufficient.

When I work with photographers on hosting workshops or events, I have no problems meeting in advance to discuss initial ideas, and I often try to schedule a ‘dry-run’ type thing a couple of days prior to the event if necessary.  I prefer to do this at the location hosting the workshop so that I can see the space I’m going to be working with and (initially) make sure the space is going to suit the group coming in for the workshop/event.  Of course, if I’m hosting at a space I’ve used before, it often becomes easier for both of us to plan via email or phone, with just a dry run a day or two ahead of time.

If a photographer looking to hire me or work TF* and wants to meet in advance, he will have to provide a darn good reason why a set of poloroids (I’ll even hold up the day’s newspaper, after I go buy one LOL) won’t work, and will have to work with my schedule.    I have no problems talking on the phone before a shoot (in fact, I absolutely require a phone number and email address to officially book a shoot).

The “Let’s Make Sure We Get Along” Pre-Shoot Meeting
A shoot is a job, even for hobbyists.  A model is there to pose and help the photographer capture an image in a way that suits his (or her) vision.  A shoot is not a social gathering or date, so there should be no reason to be so concerned with personalities “meshing”.  What matters more, during a shoot, is whether the model can follow direction given by the photographer, thus doing her part to help the final idea come to fruition.  Unless you’re doing a test shoot during your pre-shoot meeting, you won’t be able to tell that until the actual shoot.  Well, you won’t know this if you’re not asking “does the model take direction well” when you check her references, that is.

That’s right, another good reason to check references: asking if the model takes direction well, and whether she does what is asked of her to get the shot.

The “Just Making Sure You’re Not A Creep” Pre-Shoot Meeting
Now, I realize that “creepy” is quite often subjective, and based on individual feelings/thoughts.  That said, for those models who use a pre-shoot meeting to screen photographers their working with (instead of doing things like checking references), well… that’s not the right (or smart) way to go about things.

Make sure someone isn’t a “creep” by checking references with 3-5 other models they’ve worked with.  I wrote a whole blog on checking references here, in case you’re not sure how to go about doing this.  It’s a much smarter way to go about things, and, at the very least, you won’t have wasted both your time and the photographer’s time with a pre-shoot meeting.

Why A Pre-Shoot Meeting Isn’t A Casting Call

An in-person casting call (as opposed to something posted on a site like Model Insider) is a casting call.  They are usually held at a studio and are usually open to whoever is interested in the part (and meets certain requirements).  If, for whatever reason, a photographer is holding a casting at his studio, and I fit the bill, then yes, I’ll go.  I have in the past and I will continue to do so as long as I’m modeling.  There have been times when castings have resulted in, essentially, a waste of my time, but they were casting calls, and that’s part of the business–I go in knowing there’s a possibility I won’t get the job, or that once I get more details it’s something I’m not a good fit for, and I’ve accepted that.

If you want to hold a casting, hold a casting.  But don’t just sit your ass down in your local Starbucks and wait for one model to show up, and call it a casting.  That’s not only misleading to the model, but very likely a huge waste of your time too.  And who wants that?

The Bottom Line
Monday thru Friday, I work full-time in the Chicago suburbs, have a husband that works 16+ hours a day, and have a dog that needs to be taken care of (which usually falls on me because of my husband’s schedule), not to mention the typical household responsibilities.  On weekends I’m either shooting (or doing other modeling-related stuff, like organizing for a workshop), spending time with friends or family, or doing household things that didn’t get done during the week.  I will not drive over an hour (or more, with construction) into the city of Chicago or to a far away ‘burb for a 30-minute (or less) “great, we both like this idea” or “cool, you look like your pictures” meeting.  I check references, so I don’t have to worry about “are you a creep” meetings.

Many hobbyist models are in the same boat I am–working full-time, running a household and being responsible for a family, and shooting when they have time–so if you require a pre-shoot meeting, it might be a turnoff for them.  After all, there are plenty of other things they’d likely rather do than meet you for coffee to discuss things that either aren’t relevant to your shoot, work out details that could be done over email or a phone call, or prove to you something you could have found out by simply checking their references.  In short, they’re not going to want to waste their precious time on you, and will very likely just find someone else to work with.

April 21, 2011

Why Public Blacklists Are Bad

Public blacklists–lists of people an individual doesn’t recommend working with–can be found on many profiles on Internet modeling sites.  They are often fueled by anger and judgement, and are usually created and added to during the heat of the moment, while one is angry due to the actions of the very person they’re blacklisting.  The list-maker usually just wants to “get back” at the person whom they feel wronged them, and quite often, the list maker doesn’t pause to think of the consequences to themselves that these lists often have.

Consequences for the person with the list, instead of the people on the list?  You bet!

As someone who takes what she does seriously, I don’t like the idea of working with someone who’s got a flake list a mile long (or even just a handful of names) on their profile page.  In fact, it makes me wonder what in the world that person has done to cause so many people to no show up, or otherwise not deliver as promised.  But instead of asking what the deal is, I’ll just move on and find someone else to work with, because it’s far less of a headache.

Additionally, a profile that’s got a “do not recommend” list on it makes me wonder if the only purpose of the list itself is to get vengeance on someone, and not actually help out the person who might be looking to work with the person on the list.  With a blacklist telling only one side of the story, it’s quite possible that (for example) the model ended up there because she refused to let herself be pressured into shooting something she wasn’t comfortable with, and the photographer put here there to get back at her for not giving him what he wants.  Or maybe the model’s there because she refused to TF* with the photographer, but paid his biggest competitor for a shoot.  Maybe she bugged him for 6 months asking for images from a TF* shoot, and he got sick of it and blacklisted her.  It’s impossible to know.

A blacklist also means that I have to be concerned about ending up on a blacklist.  Not because I’m a flake, but because if something out of my control were to happen to spoil the shoot, would it earn me a spot on that list, or would I not have to worry?  That doesn’t appeal to me in the least.  I’d rather just not book with that person, because then I don’t have to worry about finding out.  Given the choice, I’d rather work with someone I trust to deliver and not hold a grudge than someone who’s got a list on his or her profile.

And that brings me to another point.  Experiences vary by person, and sometimes, personalities just don’t match up, making working together a challenge.  What one person might view as ok behavior, another might think is a diva attitude.  A joke a photographer tells on set might make one model laugh, and could offend another.  You get the idea.  Because of this, it’s hard to take blacklists seriously.  How do you know the reason the photographer or model is on that person’s blacklist is more than just a simple personality difference, which resulted in a strained or awkward shoot?  You don’t.

That said, how do you even know the 2 parties worked together?  A friend of mine was put on a blacklist by someone because they had a disagreement on one of the modeling site forums.  They’d never worked together, never talked about working together, and weren’t even in the same state.  But because there was an argument on the forums, my friend was blacklisted.  (It was asked by site moderators, later, that the person with the list limit it only to people they’d actually booked work with, and to remove people they’d simply disagreed with in the forums.   But yea…)

What if you get the other side of the story?

I suppose one could message everyone on someone’s blacklist, but who has time for that?  I don’t.  I’d much rather just work with someone who keeps their drama to themselves.  If they have drama, that is 😉

In a nutshell? Having a blacklist on your profile makes you look like a grudge-holding drama queen.  And that’s a bad thing.

Keep your blacklist private, and share specific experiences if asked.  Much more professional.

February 17, 2011

Episode 89 is up!

Check out my interview with Ron and Shawna of Photographer & Model!

http://www.photographerandmodel.com/blog/2011/02/17/ep-89-model-rachel-jay/

Shout out to Christin C, who I should have mentioned, but forgot because they threw me with “other models or photographers” 😦  Sorry girl!  You know I love you (and not just because you got me hooked on dirty martinis LOL)!!

February 17, 2011

Interview!

Don’t forget, tonight my interview with Ron and Shawna from the Photographer & Model podcast goes up!  Look for Episode 89 here: http://www.photographerandmodel.com/podcast.php (I’ll post a permalink to my specific episode next week… I’ll be on the road this weekend.)

While you’re waiting to check out my episode, check out these other pretty darn useful blog posts and webcasts of theirs!

January 24, 2011

Upcoming Interview

I was just contacted by Ron over at www.photographerandmodel.com.  They want to interview me for their Podcast! 🙂 Supercool!

We’ll be recording February 11, and the episodes are released every Thursday at 1A.  So you’ll probably get to hear my spot Feb 17th or so.

I’ll post more about this as it gets closer, but if you have any questions, feel free to add them to the comments and I’ll see if Ron and co-host would be willing to ask them.

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